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About this book Introduction First published to critical acclaim in , this book is now recognised as one of the most original and influential critical studies of Shakespeare to have appeared in recent times. For this brand-new edition, Kiernan Ryan has not only revised and updated the text throughout, but he has also added a great deal of new material, expanding the book to twice the size of the first edition. The section on Shakespearean comedy now includes an essay on Shakespeare's first scintillating experiment in the genre, The Comedy of Errors , and a study of his most perplexing problem play, Measure for Measure.

A provocative new last chapter,' "Dreaming on things to come": Shakespeare and the Future of Criticism', reveals how much modern criticism can learn from the appropriation of Shakespeare by Oscar Wilde, George Bernard Shaw and James Joyce. Students, teachers, and anyone with a passionate interest in what the plays have to say to us today, will find this modern classic of Shakespeare criticism indispensable. Royal Holloway London UK. Why, man, she is mine own, And I as rich in having such a jewel As twenty seas, if all their sand were pearl, The water nectar and the rocks pure gold.

Thou subtle, perjured, false, disloyal man! Thou art the Mars of malcontents: I second thee; troop on. Note: Bucklersbury; a street where apothecaries sold herbs. Lucio speaking.

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The hand that hath made you fair hath made you good: Measure for Measure. Duke Vincentio speaking. They brought one Pinch, a hungry lean-faced villain, A mere anatomy, a mountebank, A threadbare juggler and a fortune-teller, A needy, hollow-eyed, sharp-looking wretch, A dead-looking man: The Comedy of Errors.

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Beatrice speaking. What, my dear Lady Disdain! Are you yet living? Benedick speaking. O happy fair! Hermia speaking. Ill met by moonlight, proud Titania. Get you gone, you dwarf; You minimus, of hindering knot-grass made; You bead, you acorn. Lysander speaking. If he, compact of jars, grow musical, We shall have shortly discord in the spheres. Duke Senior speaking. What stature is she of? Orlando Just as high as my heart. Jaques You are full of pretty answers.


The Tragedy Of Hamlet :: Shakespeare Hamlet Essays

Jacques and Orlando speaking. Where dwell you, pretty youth? Thou hast a lady far more beautiful Than any woman in this waning age. A Lord speaking. Sacred and sweet was all I saw in her. Lucentio speaking. Why does the world report that Kate doth limp? O slanderous world! Kate like the hazel-twig Is straight and slender and as brown in hue As hazel nuts and sweeter than the kernels.

Lafeu speaking. King Praising what is lost Makes the remembrance dear.

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Sir Andrew Aguecheek speaking. Paulina speaking. What you do Still betters what is done. When you speak, sweet. Perdita speaking. Stars, stars, And all eyes else dead coals! Leontes speaking. Gentleman speaking. Prologue to Act 4. Chorus speaking. A sweeter and a lovelier gentleman, Framed in the prodigality of nature, Young, valiant, wise, and, no doubt, right royal, The spacious world cannot again afford, King Richard the Third.

Hear you this Triton of the minnows? Coriolanus speaking.

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That shows thee a weak slave; for the weakest goes to the wall. Act 1 Scene 1.

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Gregory speaking. She will not stay the siege of loving terms, Nor bide the encounter of assailing eyes, Nor ope her lap to saint-seducing gold: O, she is rich in beauty, Romeo and Juliet. Romeo speaking. But, soft! What light through yonder window breaks? It is the east, and Juliet is the sun. Benvolio Why, what is Tybalt? Mercutio speaking. Enter Nurse and her man, Peter Mercutio A sail, a sail!

Benvolio Two, two; a shirt and a smock. This was the noblest Roman of them all: All the conspirators save only he Did that they did in envy of great Caesar; He only, in a general honest thought And common good to all, made one of them. Could you on this fair mountain leave to feed, And batten on this moor? Cordelia, Cordelia! Her voice was ever soft, Gentle, and low, an excellent thing in woman.

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Desdemona What wouldst thou write of me, if thou shouldst praise me? To suckle fools and chronicle small beer.

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Thou art rash as fire, to say That she was false: O, she was heavenly true!